CLOSED -Citizen: An American Lyric

A searing, multi-media poetic riff on race in America
Dates: July 11-28  Seattle Center Theatre

by:  Claudia Rankine

Director: Jay  O’Leary

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tickets MAY be available at the door.

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Citizen

ByClaudiaRankine

Directed by JayO’Leary

 

Jul 11 – Jul 28, 2019   8:00 PM

A searing, multi-media poetic riff on race in America, fusing prose, poetry, movement, music, video, news and the visual image. Snapshots, vignettes, on the acts of everyday racism.

Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives; in the classroom, at the supermarket, at home, on the tennis court with Serena Williams, online, on TV-everywhere, all the time.

“Those did-that-really-just-happen-did-they-really-just-say-that slurs that happen every day and enrage in the moment and later steep poisonously in the mind. And, of course, those larger incidents that become national or international firestorms…

Location

Center Theatre: Seattle Center Armory

305 Harrison St, Seattle, WA 98109

See Below for Accessibility Information

Dates

 

Jul 11 – Jul 28, 2019   8:00 PM

 

Saturday 7/20 2PM and 8:00PM

 

Sundays 7/14, 7/21, 7/28 2:00PM Matinees only.

 

No Pay What you can nights, but Industry nights Mondays and Tuesday, as every seat is “Radically Inclusive Pricing.

Inclusive Accessible Seating

Seating for our patrons with disabilities is FRONT ROW Center for all performances.

Patrons who cannot traverse stairs are also welcome to take a seat in the front row.  Please note when you purchase your tickets if you would like to use Front Row seating.

Accessible Performances of Citizen:
Sensory Friendly: 7/20 
CART Performance: 7/21
ASL Interpretation: 7/26

 

Multi-Media Riff on Race

A searing, multi-media poetic riff on race in America, fusing prose, poetry, movement, music, video, news and the visual image. Snapshots, vignettes, on the acts of everyday racism. Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams, online, on TV-everywhere, all the time. Those did-that-really-just-happen-did-they-really-just-say-that slurs that happen every day and enrage in the moment and later steep poisonously in the mind. And, of course, those larger incidents that become national or international firestorms.

Buy Tickets HERE

Tickets

Radical Inclusion Pricing
[art-event id="17439D"]

As Rankine writes, “This is how you are a citizen.”

Sound Theatre is Proud to Partner with the Hansberry Project

The Hansberry Project: Celebrating, supporting and presenting the work of black theatre artists.

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Playwright and Director

Claudia Rankine - Poet Playwright

Claudia RankineBorn in Jamaica in 1963, Claudia Rankine earned her BA in English from Williams College and her MFA in poetry from Columbia University.  She is the author of five collections of poetry: Citizen: An American Lyric (Graywolf Press, 2014), which received the 2016 Rebekah Johnson Bobbitt Book Prize for Poetry, the 2015 Forward Prize for Poetry, and the 2014 National Book Critics Circle Award in Poetry; Don’t Let Me Be Lonely: An American Lyric (Graywolf Press, 2004); PLOT (Grove Press, 2001); The End of the Alphabet (Grove Press, 1998); and Nothing in Nature is Private (Cleveland State University Poetry Center, 1995), which received the Cleveland State Poetry Prize. Her plays include Provenance of Beauty: A South Bronx Travelogue, commissioned by the Foundry Theatre and Existing Conditions, co-authored with Casey Llewellyn. She has also produced a number of videos in collaboration with John Lucas, including “Situation One.”  In 2005, Rankine was awarded the Academy Fellowship for distinguished poetic achievement by the Academy of American Poets. In 2016, Rankine was awarded a MacArthur “Genius” Grant and named a United States Artists Zell fellow in literature. In 2017, she founded the Racial Imaginary Institute, a “a moving collaboration with other collectives, spaces, artists, and organizations towards art exhibitions, readings, dialogues, lectures, performances, and screenings that engage the subject of race.” She is currently a Frederick Iseman Professor of Poetry at Yale University.

Jay O'Leary Director

is an Afro-Latina director, theatre education leader, and arts activist transplanted here in Seattle from New York. Jay is a lead teaching artist for several companies including Seattle Repertory Theatre and Earthseed Seattle. Jay can be found leading classes which explore– acting, theatre as activism, decolonizing the way we look at education and leadership, youth empowerment, and movement. Directing credits include, Anansi & the Halfling (Annex Theater) Skeleton Crew (ArtsWest), Welcome to Arroyo’s (Theater Schmeater), Heathers the Musical…(ArtsWest), An Unorthodox Rhapsody, Girl Ganng, Pink Ribbons, Songs for a New World, and The Zoo Story. In addition to starring in a one woman show, Women on Fire, other notable roles include, Talisha in Milk Like Sugar (ArtsWest), the Devil in …Wonderland, Carly in Reasons to be Pretty, and Zlata in Necessary Targets.  She holds her B.A. in Theatre from SUNY Brockport, and studied film and in Thailand at Mahidol University.

Production Team

     Scenic Design – Lex Marcos

     Costume Design – Ricky German

     Sound Design – Maggie Rogers

      Lighting Design – Richard Schaefer
      Asst. Lighting Design: Malie Fujii

      Projection Design – Tristan Roberson

      Stage Manager – Sarah Ross

Cast for Citizen- An American Lyric

Shermona Mitchell

Shermona Mitchell

Citizen One


is a local actor, director and teaching artist. Originally from Kentucky, Shermona moved to Seattle to attend Cornish College of the Arts where she earned her BFA in Theater. She has been seen locally working with Washington Ensemble Theatre, ACT Theatre, Book-It Repertory Theatre, Live Girls! Theatre, Seattle Children’s Theatre, Pony World Theatre, Anything Is Possible Theatre, Seattle Musical Theatre, 14/48: The World’s Quickest Theater Festival, The Collision Project, Copious Love, Seattle Public Theatre, STAGEright and Azeotrope. Shermona is the 2016 Gregory Award recipient for Best Supporting Actress.

Allyson Lee Brown

Allyson Lee Brown

Citizen Two

Intelligent, charismatic, compassionate and outgoing are just a few words that aptly describe the persona of Allyson Lee Brown. A native of New Orleans, LA, Allyson recently received her MFA in Acting from the UW School of Drama. She is also a proud graduate of the illustrious Spelman College where she received her Bachelor of Arts in Drama. Allyson’s credits include Skeleton Crew (ArtsWest Playhouse,) Milk Like Sugar (ArtsWest Playhouse), The Bluest Eye (Le Petit Theatre,) Trojan Women: A Love Story (UW SoD) Angels in America: Perestroika (UW SoD) Fefu and Her Friends (UW SoD) and Rutherford and Son (UW SoD.) In addition to her passion for acting, Allyson enjoys mentoring, teaching and encouraging youth to tap into their greatness. She would like to thank her friends and family for their constant love and support, and she is so grateful to be a part of this amazing cast!

Naa Akua

Naa Akua

Citizen Three

2019 Citizen University Poet-in-Residence, a queer poet, emcee, and actor. They are a WITS writer-in-residence at Franklin High School. Intentionality, love, and encouragement is the focus of Akua’s work that can be found in tracks like “The Elements” or “Till It All Goes Away” from their mixtape Odd(s) Balance (on SoundCloud.com). Naa Akua was a cast member of Book-it Repertory Theater’s adaptation of T. Geronimo Johnson’s “Welcome to Braggsville”, a cast member for Theater Schmeater’s production of “Welcome to Arroyo’s” and a participant of an original boilesque ballet called “Tailfeathers”. Naa Akua’s one person show, Akwaaba The Healing of A Queer Black Soul ran as part of Gay City’s Mosaic program and recently Earth Pearl Collectives, Sovereign Queer Black Womyn Festival. Naa is presently casted in the play Queer Mama Crossroads at
Annex Theater.
Nicholas Japaul Bernard

Nicholas Japaul Bernard

Citizen Four

As a black, queer, and disabled artist Bernard hopes to make space for others like him within Theatre en masse. Past roles include Hedwig in
Hedwig and the Angry Inch (Artswest), Ja’Keith in
Rock of Ages (The 5th Avenue Theatre), and Davey Battle in Take Me Out
(Strawberry Theatre Workshop). “You own everything. Everything is yours.” – Junior Labeija
Rebecca Cort

Rebecca Cort

Citizen Five

is honored to make her Sound Theatre debut in this production. Favorite roles include Ursula in
Bye Bye Birdie (SSR), Evelyn in
The Shape of Things (WWU), and Teenage Greek Chorus in How I Learned to Drive (WWU). She has an acting degree from Western Washington University, teaches acting and lyrical at the Redmond Academy of Theatre Arts, and is proudly part of the Tweenland trio for Naomi Morgan Entertainment, as well as a regular for Theatre TBD’s monthly cabarets. Her passions include buying planners, Survivor podcasts, and Suzuki. Much gratitude to the cast, Teresa, and Jay for allowing her to join such a ferocious ensemble
Richard Sean Glen

Richard Sean Glen

Citizen Six

is a Seattle actor whose notable roles include Hunter in Theatre Battery’s Hooded, or Being Black for Dummies, Trip in Theater Schmeater’s Welcome to Arroyo’s, and Gwo Gwo in Fantastic Z’s Bad Panda. In addition to acting, Richard has performed Stand-Up and Sketch Comedy. He has a BFA in Theatre from the University of Idaho, and an understanding that his theatre education never complete. Richard intends to continue to explore theatre as an instrument of social justice, as well as its relationship to emotional literacy.

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